Well, it’s been a while! I do want to get back in to posting things here, despite my busy workload. Maybe it’s even better for me to do so because of that workload.
In light the recent catastrophe in Paris, I have been thinking about how the Ríli form expressions of sorrow, sympathy, condolences, etc. Languages often have formalized/idiomized or set phrases for these kinds of expressions, so I thought it was important that Rílin did as well. Rílin culture emphasizes harmony, support, respect, and sensitivity to others’ emotions, so I wanted to make their phrases of sorrow and sympathy reflect some of those values too. All of the words and grammar used herein are extant parts of the Rílin language–I am configuring them in ways that seem appropriate.
Note: the variations on the way of saying ‘you’/’your’ are due to traditional Rílin’s (and Lunauli Rílin) way of distinguishing three levels of formality/familiarity for pronouns and persons (lí at the most familiar and zana at the most formal for ‘you sg.’).
Lilaíkim – ‘I am grieving/mourning/crying’ (this word lilaí also means to weep copiously)
Hestia(tíí)/(tyy)/(taa)ky – Lit. ‘may you recuperate/rest’
Bítapky Démas/Ifinŝas líet/xyet/zanat – ‘May Déma/Ifinŝe embrace/aid thee’ (depending on which goddess you would like to reference)
bí-t-ap-ky Déma-s/Ifinŝe-as lí-et/xy-et/zana-et
/biˈtapky ˈdemas(ɪfɪnʃas) ˈliɛt (ˈxyɛt)(ˈzanat)/
embrace/aid-npst-3sg-irr Déma-erg/Ifinŝe-erg 2sg-abs
Commissioned art of a Rílin woman named Silin. (Please click the image to see the full size version! It looks squished when I insert it here.)
Silin is a scount with the Sunulí guerilla militia. She spies on the Tosi encampments and is an expert tracker of the woods. Her home settlement was destroyed in the initial Tosi attack on Rílin border towns, and Silin’s husband and young son were murdered. She wandered for a few years and fled to the northern coast of Elinís̆. It was here she met Tsilu, another Rílin woman who had fled the invasion, and they became friends, and eventually lovers.
I want to write stories about Silin, but I have three WIPs going right now that need to be dealt with first!
More moodboards for places in Aeniith. The Tosi Empire (mostly warm and arid, large, lots of military forts and castles and such, female-ruled society, imperialistic, etc), and the Rílin forests of northern Izoi (same continent mostly): cool, green, good for hiding, and actually toxic to most non-Ríli. The Tosi invaded them anyway for resources but the Ríli will eventually win this long war for their homeland, though not without great cost.
So this is a song I recorded a long time ago (like ten years ago lol) that I wrote even longer ago in Old Rílin and Rílin. I was originally inspired by the lush vegetation in southern Georgia when I was visiting there a long while ago. The first verse is in Old Rílin and the rest in Rílin. I imagine it could be from the perspective of a Ríla visiting a southern country (as they are native to the northern half of Izoi and thus would not have experience with certain types of biomes, perhaps being very impressed by certain plants and trees as I was).
Composition, vocals, and lyrics are all by me. Piano arrangement and performance credit goes to Eric Barker (www.ericbarker.com).
As per the request for a recording of the latest Rílin nezeletŭ, here it is again plus its recording. My high quality recorder is currently on its way to me, so perhaps I’ll make more when I can do high quality files.
And now a proper nezeletŭ (plural is nezeletŭn, btw). Written from the perspective of a Ríla who has traveled far into the north of Izoi, where the sun’s rays are visible at night in the summer. The land is beautiful–still they are reminded of what they have escaped and those who were taken from them.
Not a nelezetŭ (journey-story) per se, but a nature-based poem in Rílin. Written when I was in Anchorage, Alaska, watching sea birds wheel in the air by the water. Some were gathering nesting materials near my bench.