It’s once again been a while. I’ve been busy with a lot of things–mostly my research and lots of international travel! I’ve been in six countries since May!
One of the things I was doing while traveling this summer was attending the Language Creation Conference (the 8th biannual) in Cambidge, UK. My husband Eric and I started off the conference with some musical performances of songs in several conlangs (Gotevian, Tosi, and Rílin). We’d written some Aeniithian music before but wrote several of the pieces for the conference specifically. Eric is a composer and musician, as well as a 3D graphics designer and synth expert, so we jointly designed musical instruments unique to Aeniith cultures. We also designed musical notation systems for each culture and the musical scales that they represent. We performed four songs, two of which can be heard/seen:
, and Ŵatakap Bí Xabhét (Rílin), which has a video that can be seen here.
We also presented a poster that explains a bit about the unique instrument designs (and includes 3D models of them by Eric), musical notations, etc.
This is a short melody composed by my husband Eric (who is a professional musician and composer) based on some ideas I had for Gotevian music involving pipes. It’s still in a baby stage and he said he wants to expand on it, but here it is for now! Also see the musical notational system he came up with for Gotevian music.
This is a Rílin nezeletŭ, along with its recording. This is called Tímalípin ‘We Remember’. It is, like all nezeletŭ, about the sorrow experienced by those Ríli who were driven from their forest home by the Tosi invaders.
So this is a song I recorded a long time ago (like ten years ago lol) that I wrote even longer ago in Old Rílin and Rílin. I was originally inspired by the lush vegetation in southern Georgia when I was visiting there a long while ago. The first verse is in Old Rílin and the rest in Rílin. I imagine it could be from the perspective of a Ríla visiting a southern country (as they are native to the northern half of Izoi and thus would not have experience with certain types of biomes, perhaps being very impressed by certain plants and trees as I was).
Composition, vocals, and lyrics are all by me. Piano arrangement and performance credit goes to Eric Barker (www.ericbarker.com).
As per the request for a recording of the latest Rílin nezeletŭ, here it is again plus its recording. My high quality recorder is currently on its way to me, so perhaps I’ll make more when I can do high quality files.