Poem to Moltirin, Orikrindian Goddess of the Forest

Mystic-Gothic-Sea-Fantasy-Statue-Dark-Forest-1305040.jpg

Poem about the Orikrindian goddess of the forest. I don’t have enough of the Ori language done yet to translate it BUT it still spoke loudly so I had to do it.

Moltirin (known alsois the Orikrindian goddess of forests, mysteries, vengence, the past, memory, and rebirth/reawakening. She is also the matron goddess of lost things, women who have died in childbirth, dead children, men who have died in battle, storms, and those who have been wronged.

the woman of the wood

the threads of days past

she weaves again

a whisper from before

taken up again

bright and vital in memory

damp with energy refound

glowing in the night

alight with vigor

surging forth once more

pulsing in the rain

dancing beneath the arms of trees.

 

and her eyes

lit like lodestones

a stormy blue

and shot through with light

like yesterday

the dust of an eon

settled and reformed

again we have awoken

the woman of the wood.

~

Mintaka

Ideas on Ori names

Playing with an idea that in Orikrindia, there is a kind of superstitious tendency to name a child the opposite of what the parents wish for it to become (maybe just in certain classes or subcultures?). For example, Elucuna’s name essentially means “decider”, and her parents definitely did not intend for her to be deciding much in life. Maybe someone hoping for an outgoing child would name him Pilucya ‘timid’. Kind of like avoidance of a jinx by giving a child too “fortuitous” a name and attracting the attentions of an ill-meaning demon. The Orikrindians do feel quite a bit of discomfort with regard to demons…

Elucuna in Quarios (pt 2)

More of the story of Elucuna, a runaway Orikrindian woman who goes into hiding in Quarios to start a new life.

 

It was from there that I made my way to what I had long planned would be my destination. First, I navigated the cramped streets and alleys of Naeglitan to a man who was an acquaintance of my brother’s. His name was Glohitan and he was in the business of ground transport—whether of cargo or person, he did not care. Moreover, he was in the business of discreet transport, which was of utmost concern to me, as I did not wish for my family (other than, of course, Poltyar my brother) to get wind of my location in Quarios, or even that I had in fact fled there. For all they knew, I had perished in some dark wood of Orikrindia or fallen in the hands of highwaymen.

Continue reading “Elucuna in Quarios (pt 2)”

Story: Elucuna in Quarios

This is the beginning of story (of indeterminate length so far) told by an Orikrindian woman who leaves Orikrindia at age 15 and comes to Quarios to be able to pursue a life a greater liberty (Orikrindian society doesn’t offer a lot of independence or a very wide array of options for the future of a yong woman). Like I said, I still don’t know what’s in store for this story, how well I’ll end up liking it, how well anyone else will end up liking it, etc. If you DO want to see more, I’ll probably consider continuing it. Its main purpose now is to help me explore Orikrindian vs Quariosian (i.e. Gotevian and Lomi) cultures, as well as a peak into some other Aeniithian cultures/people/stuff. 😀

Continue reading “Story: Elucuna in Quarios”

Upcoming works are brewing…

I’m writing some mini-stories about Orikrindians that I will probably post in the future. Topics may/will include:

– An Orikrindian girl who leaves her country at age 15 and moves to Quarios, some of her thoughts, motivations, and memories (telling her story in retrospect)

– Two Orikrindian brothers who are separated due to a war with a neighboring country

– A story of the devotees of the mountain goddess and fire god who go on a pilgrimage to a great mountain. Fewer will descend that those who went up

I’m also recording new poems in Rílin now, since I am finally back in touch with my h4n Zoom audio recorder, which is higher quality than my laptop mic, unsurprisingly.

Other topics in the works: more Ori grammar, the Orikrindian pantheon, and info on Orikrindian artisanal works.

This has been a semi-update with a bunch of teasers…but I’m really excited about what I’m working on so it’s ok. 😛

Mintaka

A song in Rílin (Bve Pfa R̂í)

So this is a song I recorded a long time ago (like ten years ago lol) that I wrote even longer ago in Old Rílin and Rílin. I was originally inspired by the lush vegetation in southern Georgia when I was visiting there a long while ago. The first verse is in Old Rílin and the rest in Rílin. I imagine it could be from the perspective of a Ríla visiting a southern country (as they are native to the northern half of Izoi and thus would not have experience with certain types of biomes, perhaps being very impressed by certain plants and trees as I was).
Composition, vocals, and lyrics are all by me. Piano arrangement and performance credit goes to Eric Barker (www.ericbarker.com).

http://www.whitealicemusic.com/music/BvePfaRi.mp3

Lyrics are below:

 

Bve Pfa R̂í

(old Rílin)

 

Bve Pfa R̂í

/bve pfa ʂi/

tree blue yearn

‘yearning green’

 

Goxe

/goxe/

stir

‘stirring’

 

bi-ly

/bi’ly/

seed-push

‘seeds springing forth’

 

bil-i

/bi’li/

innerground-wet

‘moist soil’

 

naqa r̂í

/naqa ʂi/

gentle yearn

‘gentle yearning’

 

na genk

inf sleep

‘to sleep’

 

re kanad

/ɾe kanad/

out.of forest

‘out of the forest’

 

be

/be/

smile

‘a smile’

 

(modern Rílin)

 

Phala tösh

/ɸa-la tøʃ/

air-instr ash

Ash in the air

 

Aghu

/aɣu/

Blind

 

Wunís myrûí

/wunis myɾʌi/

breath burning

Breath burning

 

(instrumental)

 

pilu ní

/pɪlu ni/

center.of.flower clear

Clear center of a flower

 

uka

/uka/

Companion

 

Be ŕíky zöet

/bɛ ʐi-ky zø-ɛt/

neg expel-imp trust-abs

don’t expel trust

 

Despyxa

/dɛspyxa/

Paper of tissue

 

Moías

/mɔias/

Tapestry

 

Kaíkr̂ŭ ŝala

/kaikʂɯ ʃa-la/

warmth.from.light petal-instr

Warm light through the petals

Orikrindian women abroad

I envisage Orikrindia as more patriarchal than most other Aeniithian cultures. I image this is demonstrated in everyday culture as well as by institutions such as the monarchy of kings. For this reason I think Orikrindian women would take to moving abroad if they could to pursue things that would be more difficult to do at home. Pursuits like business, art, finance, scholarship, etc. I think quite a few would go to nearby Ei to the west to Quariosian territory. Some would go directly to Quarios itself if they could afford it. I think perhaps some would marry abroad as well, as Gotevian and Lomi men would be more accepting of an independently minded woman.

I want to explore this concept more but for now it is a blurb!

Mintaka